Digital catalog created for Scott Anderson’s exhibition “Biotech.” Essay by Sarah Diver.
The features of Dallas’s digital infrastructure received high marks from other dealers. Rob Dimin of New York’s Denny Dimin Gallery commended the organizers for doing “a really fantastic job in creating the virtual fair space… with enough room for extra content to contextualize the artists.”
When the gallery launched a virtual exhibition space, it began posting essays and videos to accompany the artworks. Interested collectors are no longer browsing a catalog of objects with price tags, but learning stories about people and what they make.
We may be living in an age of social isolation, but art lovers can still get their hit this month with these Hong Kong exhibitions
Galleries and museums are getting creative about presenting work online during the coronavirus crisis. Here are some shows worth viewing virtually.
Next week was supposed to be a big one for artist Kennedy Yanko, as she was supposed to present new work at the Dallas Art Fair by way of New York’s Denny Dimin Gallery. Then the fair, like so many other art events happening around the world, got postponed indefinitely. (It is now scheduled for the beginning of October.)
Fallah creates work with stupefying subtext
The 40-year-old artist paints idiosyncratic portraits that unfurl infinite narratives to his audience. Ask him, and he explains that his detail-rich, colour-drenched paintings are a new kind of portrait, one that shows a person without physicality at all. More often than not, these portraits – usually created in close collaboration with his subjects – forego face and skin tone, and instead allow a Garfield plushy or goblet drum to tell the tale.
To enter to win the drawing see the terms below. We will be reposting our favorite posts at the end of each day, and all entries to our story!
“Nothing feels as good as scouring a yard, spotting a piece that calls to you, digging for its entirety, and revealing its full glory,” says Brooklyn-based sculptor Kennedy Yanko. She is speaking of her trips to salvage yards in search of discarded metals she will later repurpose for her sculpture practice. “It’s a full day or multiday activity, scavenging. But again, it’s an integral thrill and informs everything that follows.” The fruit from some of these treasure hunts will be on view in a solo show with Denny Dimin Gallery at the Dallas Art Fair in October.
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In New York, amidst the current pandemic demobilizing our cities, Denny Dimin Gallery in New York mounts “Hong Kong — Tales of the City,” a panoramic showcase of Hong Kong video art, co-presented with Videotage.
Dana Sherwood, Olafur Eliasson, and other artists share some of their favorite recipes.
As much of the world hunkers down, practicing social distancing and sheltering in place, everyday life is shifting dramatically. And for artists, like the rest of us, that means preparing for an extended stay at home by stocking up their larders.
In search of a little culinary inspiration, we turned to artists who have worked with food in their practices, either as a material or subject matter, to ask them what they’re cooking during these unprecedented times.
People who are comfortable buying pricey cars or jewelry often don’t carry the same level of confidence when they step into an art gallery.
“Why?” asks Mike Steib, the CEO of Artsy. His answer: “The industry is opaque, it isn’t accessible, and there’s high transaction friction. So [wealthy people], despite their means, come to believe that it must not be a world that’s available to them.”
How Can We Think of Art at a Time Like This? is an online exhibition, co- curated by Barbara Pollack and Anne Verhallen as a platform for the exchange of ideas at this time of crisis. We invited artists who are considered thought leaders; artists who struggle with futuristic pessimism, political outrage and psychic melt-downs.
Small and mid-range galleries are the most vulnerable to economic shifts, but they are also more spry.
For decades, the contemporary art market has essentially functioned as a bountiful flow of physical meetings: crowded openings, boozy dinners, and chatty fair floors, not to mention handshake deals. So what happens when all that evaporates? We’re about to find out.
Plus, Studio 54 regulars look back ahead of the Brooklyn Museum’s show and mega-galleries in New York temporarily shutter.
Artadia Announces 2020 Los Angeles Winners – Artadia has awarded 2020 grants to the Los Angeles-based artists Beatriz Cortez, Amir H. Fallah, and Suné Woods.
ARTADIA ANNOUNCES 2020 LOS ANGELES AWARDEES
NEW YORK, NY – Artadia is pleased to announce the recipients of the sixth annual Los Angeles Artadia Awards are Beatriz Cortez, Amir H. Fallah and Suné Woods.
This year, several museums in the United States will feature works by Iranian artists in exile.
From art about environmental recklessness to Caribbean post-coloniality, Armory kicked off the spring art fair season in spite of growing coronavirus concerns.
The Armory Show, which returned to Piers 90 and 94 on New York’s Hudson River for its 26th edition boasted 183 exhibitors from 32 countries, although most were American and European galleries while only 14 were from Asia or have a presence there.
The 2020 edition of the Armory Show opened to invited guests on Wednesday, March 4, and runs at Piers 90 and 94 through Sunday, March 8. Despite ongoing concerns around the world over the new coronavirus and the ways in which it could spread in large crowds, the fair went on, and many dealers said the affair was business as usual during its early hours.
