Back on the beach, UNTITLED featured a relatively breezy scene. Denny Dimin Gallery, however, was blissfully busy. The gallery reported selling around 30 works by artist Erin O’Keefe by Friday morning—all close-up photographs of brightly painted objects that resemble paintings at first glance. At the booth, Elizabeth Denny and Robert Dimin attempted to count exactly how many pieces they’d sold: one to the Mead Art Museum at Amherst College, one to the Cleveland Clinic, and two to trustees at the Hirshhorn Museum and Sculpture Garden and the Wadsworth Atheneum….Read More
“Our industry is being watched with greater diligence.” -ROBERT DIMIN OF NEW YORK’S DENNY DIMIN GALLERY Robert Dimin of the New York-based Denny Dimin gallery, which is showing at Untitled Art, Miami this year, says he sought counsel from an accountant and lawyer ahead of the fair, in light of the recent legislation. “Our industry is being watched with greater diligence,” Dimin says. “As a young gallery, even a small mistake could send us into a spiral with legal problems.”…Read More
The catalog for Jessie Edelman’s solo exhibition Muse is now available for purchase. It includes a review of the show by Michelle Grabner, along with images of all the works in this collection. It is thirty-six pages in total, and ten by eight inches.
Meet Amanda Valdez, the young talent who recently caught Galerie‘s eye with her vivid textile paintings at Denny Dimin Gallery. Though her studio is in Brooklyn, Valdez has worked around the globe carrying on the traditions of her feminist role models. Curious to learn more about her work, Galerie recently engaged Valdez in a Q&A. Here are the three standout qualities that are keeping her on our radar. 1. Her work builds on that of her feminist role models. Valdez is inspired by the progress…Read More
Portraiture also found a home at the Lower East Side’s Art Week. Two artists, represented in two different galleries, have unique takes on the subject. Jessie Edelman’s Muse exhibition at the Denny Dimin Gallery seeks a disidentification of the figures she paints. In this, she wants her floating graphic figures with organic contoured outlines to disrupt specifity and embrace ecumenical power. Each figure is a muse, meant to rework symbolic, iconic and allegorical meanings: an ambitious task in a society that craves literal…Read More
This enchanting solo exhibition, Muse, by Jessie Edelman presents large scale, brightly colored paintings, all done in accordance with the golden ratio. Edelman asks us, who is the muse? In her presentation of nine lush goddesses, Edelman turns the idea of the passive muse on it’s head — reimagining the muse as the ultimate artist — and reinventing her in the 21st century.
Twenty-four galleries on the Lower East Side in Manhattan have teamed up to launch the inaugural L.E.S Art Week, taking place from October 17 to October 21. Among the galleries participating are Brennan & Griffin, Foley Gallery, James Cohan, and Thierry Goldberg. Organized by Lesley Heller, founder of the eponymous gallery at 54 Orchard Street, and Bart Keijsers Koning, co-owner of LMAKgallery at 298 Grand Street, the event aims to boost gallery attendance and present programming—artist talks, tours, performances, and panel discussions—that will expand…Read More
Jessie Edelman, Muse at Denny Dimin Gallery Wisconsin-born, Brooklyn-based artist Jessie Edelman has created a new series of paintings that form a “pantheon” of nine muses based on goddesses from ancient Greek mythology. Edelman’s images aim to subvert the ongoing understanding of a muse as an object of beauty and passivity, and instead imagine the muse as artist. These nine characters feature throughout the paintings as dynamic, creative narrators of their own stories, rather than inspirations for others—“reclaiming” the muse and…Read More
In 2001, another American artist, Michael Mandiberg, scanned the same Evans images that Levine had used and made them publicly available as online downloads, each accompanied by a “Certificate of Authenticity” attesting to authorship: Mandiberg’s.
By Grant Klarich Johnson In Amanda Valdez’s First Might, passages of quilting, oil painting, and embroidery floss combine to create canvases in which craft and art’s textures synthetically blend. This pastiche mode arrives in the highly tactile surfaces of large works like my sister (2018), featuring pinwheel-patterned, quilted borders that frame an image of a monumental vase rendered out of luscious swaths of Kelly green and emerald embroidery floss, balanced beside blocks of solid slate grey paint. In Lover’s Link…Read More
Paula Wilson’s exhibition, Spread Wild: Pleasures of the Yucca, opened on Saturday at Smack Mellon in Brooklyn, and will be on view through November 4. Please join us at Smack Mellon on Thursday, October 4, 6:30 – 8 p.m. for an artist talk! Smack Mellon is located at 92 Plymouth St, Brooklyn, NY 11201
Amir H. Fallah’s was awarded the Northern Trust Purchase Prize at EXPO Chicago, where he was exhibiting with Shulamit Nazarian Gallery, on September 28, 2018. A long-time supporter of arts and culture and presenting sponsor of EXPO CHICAGO, Northern Trust will donated one work of art (Calling on the Past by Amir H. Fallah) to the Smart’s permanent collection. The Smart will select the piece from the exposition’s EXPOSURE section, curated by Justine Ludwig (Executive Director, Creative Time) and featuring solo and two-artist presentations represented by galleries eight years and younger.
Pictures at an Exhibition presents images of one notable show every weekday. Today’s show: “Amanda Valdez: First Might” is on view at Denny Dimin Gallery in New York through Saturday, October 14. The solo exhibition is the artist’s third with the gallery, which recently changed its name from Denny Gallery.
Review: Humor and human clay meld in ‘The Incongruous Body’ at AMOCA If there was any question about the connection between the material of the self — human clay — and the stuff of sculpture, Robert Arneson’s 1988 work on paper, “Head Wedged,” makes the relationship clear. The ferociously funny Funkmeister renders himself in terracotta hues, scrunching his chin with one hand and reaching his opposite arm overhead to press against his temple. He’s doing to himself what ceramic artists…Read More
Tell us a little about yourself, where did your passion for art begin and how did it become your work? My passion for art began as a child and has been a lifelong pursuit. The painting has always fascinated me and continues to engage me endlessly. Not only is it a language for me to communicate, it’s how I continue to explore life. For me, the pursuit of painting is all-consuming, so it was a natural path that it became…Read More
Life, death, growth, beauty and destruction. I want to capture it all in my paintings and sculptures. Currently working on an installation bringing all of this into one. It is an art/life journey. I bring this search into my process – the search is the process. Exuberance towards color and materiality in the face of all gets in the way. I move between figuration, abstraction, and landscape as I believe that is how the vehicle of the mind and body…Read More
The Museum of Contemporary Art Tucson (MOCA Tucson) is pleased to present Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art, a curated exhibition by Ginger Shulick Porcella exploring religion, ritual, cult mentality, and the human impulse to belong and participate, as viewed through the lens of cultural production. This exhibition examines the relationship between “cult” and “culture” and how the museum space, like sites of worship, are places for sustained, concentrated attention and contemplation. Blessed Be links spiritual practice to artistic…Read More
Read on Robb Report. With its rose-hued walls and girl-power programming, the Wing has become something of a legend in its own time. Since the club first opened in Manhattan’s Flatiron District in 2016, it has been regularly revered, occasionally mocked (all that pink!), and even investigated by a human rights group for its women-only policy. But the Wing, which now counts four locations in New York City and Washington, D.C., and is preparing to open two more outposts in California—both of which are…Read More
Read on American Museum of Ceramic Art. Humor, as E.B. White suggests, is often an uncooperative topic to explore critically. Like our bodies, it is idiosyncratic, can be awkward, weird or surprising, and it can be uncomfortable to scrutinize too closely. Yet much of the art of the 20th century depended upon it. Where would we be today without the rapier wit of the Dadaists, the irony of Pop, the subversive attitude of Funk, or the dark comic vision of the…Read More
Read on Zygote Press. The printed broadside has been an important vehicle for information in Western culture since Gutenberg invented movable type, and has kept the printing press front and center in the transmission of ideas among social communities since that time. This exhibition examines both new and existing works: contemporary broadsides, printed posters and ephemera that dialogue with the idea of social justice. Many of the artists will be working in print media, but others will carry the theme of…Read More
Read on Visions West Contemporary. Founded in 2008, Future Retrieval is the studio collaboration of Guy Michael Davis and Katie Parker. The pieces created utilize three-dimensional scanning and digital manufacturing of found forms that are molded and constructed in porcelain, mimicking the history of decorative arts and design. Our process addresses the conceptualization, discovery, and acquisition of form, to make content-loaded sculptures that reference design and are held together by craft. We incorporate an interdisciplinary approach to our work, striving to…Read More
Read on Alternate Projects. Alternate Projects is pleased to present Beyond Things, an exhibition sponsored by Cincinnati’s new Summit Hotel and organized by Alternate Projects. Beyond Things features the work of seven artists based in the Cincinnati region and a Cincinnati-based collaborative. The pieces– extractions, commentaries, juxtapositions, collages– are an enmeshing of the material and cultural. All transcend the apparent and in so doing present new ways of seeing and experiencing the things that define our world. The tension between art object and art documentation–…Read More
Read on Center for Contemporary Arts Prague. Apparatus 2.0: The Unreliable Library is an exhibition resulting from a collaboration between artists and organizers from Prague and New York City. Taking place in the reconstructed FCCA library, Apparatus 2.0 reflects on how we gather research and build knowledge about culture, and on the library as a space for contemplation and discovery. This exhibition expands on its predecessor, Apparatus for a Utopian Image (2016) at EFA Project Space in New York, initiated by artists Pavla Sceranková and Dušan…Read More
Read on The Core Club. Featuring the work of Devra Freelander, Eliot Greenwald, Grant Stoops, Justine Hill & Norma Markley, Techno Abstractions brings together five artists to create a visual vibration of saturated color and gesture. Bridging a multitude of complex surfaces, this exhibition unlocks a collision of color and untamed visual indulgence. The exhibit is curated by Natalie Kates and Amanda Uribe of Latch Key Gallery. Exhibiting June 1 – August 31, 2018 at CORE: in New York, NY.
