Future Retrieval: Crystal-Walled Seas, Until 4 June at Denny Dimin Gallery, 39 Lispenard Street, Manhattan.
Ann Shelton in ‘Flora Photographica: Masterworks of Contemporary Flower Photography’, a showcase of flower photography by the world’s leading photographers.
Revenge shopping and navigating a third-culture identity inform Amir Fallah’s first show in Hong Kong
The artist addresses the psychological fatigue caused by the ongoing pandemic and uses his creativity to engender joy against the waves of pessimism.
Three words to describe it: Familiar, nostalgic, awakening.
Thorpe’s works also exemplify the unbound potential of our own imaginations.
Denny Dimin Gallery – New Art Galleries To Visit Now
Why I Make Art offers readers an intimate, contemplative view from thirty remarkable creators.
Thorpe seems most concerned with the cumulative power of ornament to conjure a syncretic, escapist reality.
The first, comprehensive, illustrated publication to explore the relationship between basketball and contemporary art.
“Portal To The East” by Amir H. Fallah has joined the permanent collection at the Birmingham Museum of Art as a gift of Jack and Rebecca Drake.
In this week’s episode of the ArtTactic Podcast, we’re joined by Robert Dimin, partner at Denny Dimin Gallery who discusses operating a gallery during a pandemic.
Creating Worlds: Paintings that aim to facilitate daydreams.
The New York gallery’s co-founder Katie Alice has been living in Hong Kong since 2017 and had run an offshoot of the gallery in an apartment since 2019.
Ann Shelton’s Mother Lode
Want to see new art this weekend? Start in TriBeCa with Jessie Edelman’s lush, patterned paintings.
For contemporary artist Ann Shelton, ikebana is medium for messages.
Jeremy Couillard’s list of finalists for each category of the 2022 IGF Awards.
Editors’ Picks: 9 Events for Your Art Calendar This Week, From Etel Adnan’s Final Paintings to Surrealist Art From Beyond Europe
Curated par is an online archive for art and cultural inspiration and a platform designed to connect lovers, curators and creators of art.
As the city reopened, the art world saw legacy-changing donations for the Met and the Brooklyn Museum, and a seismic shift in Tribeca’s gallery scene.
Michael Mandiberg’s Timeframe exhibition gives the viewer a window into a period of time when they had to deal with the breakdown of their own body.
Sean Fader’s photographs for Insufficient Memory (2020) require understanding that he used a Sony Digital Mavica to memorialize the locations where LGBTQ-identifying people were murdered between 1999 and 2000 while US Congress was debating the Hate Crimes Prevention Act.
Amanda Valdez’s new works here—abstract canvases that incorporate paint, embroidery, sourced fabrics, and handwoven or hand-dyed textiles—recall the coastal sea stacks in the Pacific Northwest, where the artist grew up.
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