Read on LVL3 Media “Artist of The Week: Amanda Valdez” Amanda Valdez is a Brooklyn based artist, born in Seattle, Washington. She received her MFA from Hunter College in New York City and BFA from The School of the Art Institute of Chicago; additionally she studied at Utrecht University in The Netherlands. Amanda has been the recipient of a Yaddo Artist-in-Residency, MacDowell Colony Artist-in-Residency, Bemis Center for Contemporary Arts Artist-in-Residency, and the 2011 College Art Association MFA Professional-Development Fellowship. Recent…Read More
Read on style.com “Exclusive: The Line Makes a Bid for the Art World” by Kristin Anderson Having barely marked its six-month anniversary, The Line just got one step closer to offering a 360-degree curated life. Vanessa Traina Snow and Morgan Wendelborn’s immaculately edited concept shop has partnered with online database Artsy (which counts Larry Gagosian and John Elderfield among its advisers) to venture into the world of art dealing. Beginning today, The Line will offer a selection of artworks by the…Read More
Read on ARTslant “Black as Midnight on a Moonless Night” by Natalie Hegert That’s how Special Agent Cooper likes his coffee, and that’s what I thought of when viewing SUPERBLACK by Jordan Tate, at Transformer Station in Cleveland, Ohio. “That’s pretty black,” says Pete Martell, as he pours a cup of coffee for Cooper in that first episode of Twin Peaks. SUPERBLACK is pretty black all right. In fact it’s the blackest black you’ll ever see. It’s… excuse me… really…Read More
Read on WCPO Cincinnati “Black Hole Sun: Cincinnati Artist Jordan Tate Plays with Perceptions of Light and Dark ‘Superblack’ is Result of Both Art and Science” by Matt Peiken CINCINNATI — Unlike most artists, Jordan Tate cares more about triggering reactions in viewers than he does about the objects he creates. Raised in Cincinnati and now an assistant professor of photography at the University of Cincinnati, Tate devotes his parallel careers in art and academia to shaping “how we come…Read More
Read on LVL3 ARTIST OF THE WEEK: MICHAEL RUDOKAS Michael Rudokas received his MFA from Hunter College in New York City and his Bachelor of Arts in Philosophy and Visual Art from Marlboro College in Vermont. His first solo exhibition, Terrible Shadow, will be on view at Denny Gallery in New York City from March 20 to April 27, 2014. Tell us a little bit about yourself and what you do. I studied both art and the philosophy of language as an undergraduate. Having always found…Read More
Nikolai Ishchuk, Indeterminate Objects @Denny By Loring Knoblauch/ In Galleries/ February 20, 2014 Read on Collector Daily. JTF (just the facts): A total of 16 photographic works, generally unframed and pinned to the wall with masonry nails or set on pedestals, and displayed in the two room gallery space and the back office area. 15 of the works are unique sculptural objects, variously constructed from gelatin silver prints, c-prints, cyanotype chemicals, acrylic paint, polymer spray, and cement, all made in 2013. Physical…Read More
IN THE STUDIO WITH JASON GRINGLER Interview by Marina Cashdan. Photos by Alex John Beck. Read on Artsy. INTRODUCING JASON GRINGLER We’ve been following Jason Gringler since his 2012 solo show at Brand New Gallery, where the Toronto-born, New York-based artist filled the Milan gallery’s wall with a grid of shimmering, fragmented mirrors. Regarded as one to watch among a new generation of artists who challenge the traditions of classical painting, Gringler employs smashed mirrors and spray paint, broken Plexiglas and steel frames to…Read More
Read on the Tenement Museum Blog “Contemporary Art with a Historical Twist” by Lib Tietjen Museums can have the bad habit of getting stuck in the past. At the Tenement Museum, we work hard to make connections to the present day, and we’re inspired by the bustling, ever-evolving neighborhood that surrounds us. To see how history influences contemporary art, look no further than the Denny Gallery at 261 Broome Street. The gallery ”specializes in work by emerging and mid-career artists whose practices are interdisciplinary, process-oriented,…Read More
Read on Zeek “Relative Unknowns: When Images Outlast Memory, but not Meaning” By Danielle Durchslag January 21, 2014 Growing up in Chicago, the house of my childhood had the usual range of portraits on display, with a few unfortunate mid-90s studio shots of me and my sister thrown in the mix. My parents, like so many others, designated a specific wall to these images, the ones deemed important enough to merit framing and display. Most of us grow up in…Read More
Read on Slate. “Fantasy Versus Reality in the Online Dating World” by David Rosenberg Signing up on 16 online dating sites and going out on 100 dates in a year might not be something you’d talk to your mother about, but it does provide fodder for an interesting photography project. Sean Fader did exactly that beginning in January 2010 and suddenly found himself enmeshed in a project in which he felt like an “emotional train wreck.” Fader didn’t start out that way….Read More
Read on photoworks Nikolai Ishchuk’s Offset series pulls apart the family album. Ishchuk has digitally reworked a set of found snapshots, separating the central figures from each other and leaving the middle of the frame oddly vacant. This gesture is a direct function of the Photoshop offset filter referenced in the title, a tool that automatically splits an image down the middle and reverses the pieces so that the centre moves to the edges and the edges meet in a…Read More
By Tina Rivers This show contributes to the heated debate over the relationship between contemporary art and digital technology by cleverly focusing on the idea of “windows.” In this context, windows is a double entendre, referring both to the long-standing metaphor for the picture plane in Western art and to the more recent use of overlapping frames to organize information on computer screens, challenging the window’s association with a single-point perspective. The artists in this show are fluent in both…Read More
Art in America “Works Off Canvas” at Denny Gallery, through Sep. 8 A concise and surprising group show at one of the Lower East Side’s newer galleries (it opened in early 2013 with a solo show by Amanda Valdez, one of the four artists in “Works Off Canvas). In addition to Valdez’s abstract assemblages incorporating embroidery thread and fabric, the exhibition includes Michael Rudokas’s compositions of layered semitransparent materials like tulle and chiffon, and Wayne Adams’s tactile faux fur pieces. Lauren Seiden’s…Read More
Departures Magazine – September 2013 “Doing the New New York Art Scene” by Leif Parsons Denny Gallery is one of ten art galleries on the Lower East Side listed and mapped in the September 2013 issue of Departures. “Elizabeth Denny’s eye for up-and-coming talent is on wide display at Denny Gallery (Amanda Valdez, in particular, is an artist to watch). The space is small and standard issue; the work is anything but.”
Read it on the Huffington Post. “Sean Fader Explores The Art Of Online Dating In ‘Sup?’” By Priscilla Frank. Posted 7/15/13. If you’ve ever taken your love life to the digital sphere, you’re familiar with the stressful, agonizing and self-esteem destroying task that is creating your dating profile. From choosing accurate yet complimentary photos to summing up your charm, wit and brains in a succinct bio, the challenge at hand is an arduous one. In an exhibition entitled “Sup?”, Sean…Read More
A Rock Shop, Pet Snakes and Abstracts: Gallery Shows for Artists Nadja Frank, Don Voisene and Lorna Williams By Peter Plagens Printed in the Wall Street Journal, May 25, Page A20 “Backstories have taken over much of contemporary art. Which is to say that knowing all the personal and political reasons the artist made the art is a prerequisite for any aesthetic appreciation to be had from it. In the case of Nadja Frank, who was born in 1980 in Germany…Read More
Link to read on Art in America By aia staff. 5/2/13 With an ever-growing number of galleries scattered around New York, it’s easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for thought-provoking, clever and memorable shows that stand out in a crowded field. Below is a selection of current shows our team of editors can’t stop talking about. Ole Martin Lund Bø at Denny Gallery, through May 12 This new Lower East Side…Read More
Read the review on the DLK COLLECTION BLOG. “… All in, there are nuggets of intriguing ideas worth following in each body of work here. For a young gallery still finding its way, it’s a promising photographic start.”
Link to read on Idiom. In a meditation on the ‘seductiveness’ of the big toe, Georges Bataille wrote in 1929 — “human life entails, in fact, the rage of seeing oneself as a back and forth movement from refuse to ideal, and from the ideal to refuse — a rage that is easily directed against an organ as base as the foot.” Against this caliginous member of Acéphal’s tendency to luxuriate in real abjection, Amanda Valdez’s finely executed assemblages discover the joyous excesses of…Read More
Link to read on Dossier Journal Amanda Valdez: Taste of Us An abstract painter is situated strangely in relation to the history of her medium. On the one hand, very little in a given work bears a direct and obvious connection to common social life – a situation that has always made interpreting an abstract painting uncomfortable. By definition, it cannot picture its theme, and this makes it seem too distant from the languages in which we usually express our…Read More
Installation view, “Wendy White: Pix Vää” at Leo Koenig, Inc. (all images courtesy Leo Koenig, Inc.) What do you call Wendy White’s most recent works, which are made of two or more panels that rest on the floor, hug the wall and at the same time protrude from it? Combines and hybrids are the obvious answers, but those familiar designations hardly tell the story. There is something fresh about White’s work that these familiar designations don’t account for. The panels…Read More
Read on London Evening Standard A preview of the work of five young artists in Whitechapel Gallery’s relaunched London Open exhibition reveal a snapshot of contemporary art at its most cerebral in years, says Ben Luke.
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