01.27.22 Press

Jessie Edelman Reviewed in The New York Times

What to See in N.Y.C. Galleries Right Now

 

Want to see new art this weekend? Start in TriBeCa with Jessie Edelman’s lush, patterned paintings. Then head to NoLIta for satiny installations by the performance artist Colette Lumiere. And don’t miss John Seal’s photorealistic paintings and Shane Darwent’s black vinyl awnings thought double as minimal sculptures.

 

Newly Reviewed

TRIBECA

Through Feb. 26. Denny Dimin Gallery, 39 Lispenard Street, Manhattan. 212-226-6537; dennydimingallery.com.

Jessie Edelman and Denny Dimin Gallery

Jessie Edelman’s new paintings seduce with abandon. The seven canvases in “Getaway” are alive with contrasting, if not clashing arrangements of gorgeous color; variations in paint-handling and distortions of style, space and scale. They contrast flattening patterns and plunging or tilted depths, modernist sophistication with gleeful naïveté.

These new works feature lush tropical promontories and turquoise bays seen from above: the safety of well-appointed modernist interiors that conjure Phillip Johnson’s famous Glass House. Jungle growth and area rugs alike are painted in thick slurries of brushwork. The scenes resemble over-lighted real estate ads sourced from the internet and are surrounded — framed, really, but also encroached upon — by bands of bright floral pattern that have a life of their own. They suggest cheap peasant textiles sometimes mixed with touches of Emilio Pucci or Lilly Pulitzer. The borders’ paint application is deft and smooth, like mass-produced “craft,” as are the decorated tourist-souvenir candlesticks in paintings like “Getaway” and “Candlesticks,” which has van Gogh’s “Starry Night” floating overhead.

These paintings imply excesses of surplus income, subverted by a kaleidoscopic energy that discourages single readings. For example, the floral patterns can be read as wall paper or tablecloths. If the latter, the real estate scenes are reduced to the size of postcards or snapshots plopped down while the maid is serving breakfast by the pool. Edelman’s work is fun to unpack and ultimately beautiful, if you like beauty with a side of humor.

—ROBERTA SMITH

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