By making each component distinct — visually, materially, and in its physical scale — White endows everything with a specific identity. By having the smallest component resting on the floor, with something larger stacked on top of it, she ensures that this element is regarded as necessary to the work rather than as a decorative addition.
Read on London Evening Standard A preview of the work of five young artists in Whitechapel Gallery’s relaunched London Open exhibition reveal a snapshot of contemporary art at its most cerebral in years, says Ben Luke.
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