NYFA has awarded $588,000 to 85 New York State artists working in Craft/Sculpture, Digital/Electronic Arts, Nonfiction Literature, Poetry, and Printmaking/Drawing/Book Arts.
Join Justine Hill and art historian and catalog essay writer, Dana Rodriguez as they discuss Hill’s current exhibition “Touch.” Wednesday, October 14th, 6-7pm EDT.
Future Retrieval included in a group exhibition, The Planter Show at Fort Makers Gallery and reviewed in Vogue.
The apartment includes 31 artworks from 10 different contemporary artists, all represented by Denny Dimin Gallery in neighboring Tribeca. In the living room, there’s a grid painting by Matt Mignanelli as well as two artworks apiece from Amanda Valdez and Andy Woll.
Please join us for extended evening viewing hours of Touch, an exhibition of new paintings by Justine Hill, as we open our doors alongside our neighbors for Tribeca Gallery Night. An interactive map of the participating galleries can be viewed at this link.
In California, the Institute of Contemporary Art San José will open for voting, with a mural by Amir H. Fallah on display.
Read on The New York Times.
Justine Hill’s New Show of Sculptural Paintings Is a Timely Homage to the Importance of Touch
Denny Dimin Gallery offers unique glimpse into an artist’s mind during self-isolation via virtual art show “Stephen ThorpeSpace Invaders”.
Read in Home Journal
The storied Italian furniture maker collaborated with Tribeca’s Denny Dimin Gallery to feature works by ten contemporary artists. Read on Galerie.
Amanda Valdez featured in Newsday.
“It seems to me we were in a safe space. If shops selling t-shirts were allowed to be open, why couldn’t we? Because of the fact that art galleries kind of fit into this ambiguous gray area of retail spaces, I saw it as almost my responsibility as a New Yorker and a provider of culture” to reopen as safely as possible.
Editors’ Picks: 7 Things for Your Art Calendar This Week, From a Ruth Asawa-Inspired Workshop to an Outdoor Photo Show
Sean Fader uses two photographic series to bookend a transformative two decades of LGBTQIA history through the lens of digital photography and its role in queer representation.
“Queer stories are not only erased by lack of media coverage. Queer erasure happens a second round in the advent of digital technology, and our expectations that all histories are digitised”
“We also had an important, timely, and gratifying exhibition ready to show,” they said of Sean Fader’s exhibition about social media’s impact on queer solidarity and undocumented hate murders of LGBTQI+ individuals across the U.S.
The artist highlights queer representation in visual art and the lost history of LGBTQ violence from the late Nineties in a dual exhibition in New York. By Kristen Tauer.
One of our favorite advisory firms featured us on their blog with an interview about survival in 2020.
Even before the pandemic struck, the dystopian visions and reimagined histories presented in Hong Kong – Tales of the City felt extremely relevant and timely. Media works from nine artists belonging to Hong Kong’s oldest video collective address a range of vital issues, from civic engagement to the impact of globalisation on contemporary urban life. The collaboration between Videotage and Denny Dimin Gallery opened in New York just as the city headed into lockdown.
Cultured Magazine invited Justine Hill to shoot a virtual studio visit of her new studio to preview work for her upcoming exhibition at Denny Dimin Gallery in New York this fall.
Congratulations to Amir H. Fallah for being selected as a 2020 City of Los Angeles (COLA) Individual Artist Fellowship awardee.
The Fellows were selected by a panel comprising curators, educators, museum directors and past COLA Fellows. The fellowship provides each artist with $10,000 to produce a new body of work, which will be premiered at the COLA 2020 exhibition.
Lewis Center for the Arts at Princeton announces special Hodder Fund grants for 2020-2021 to 10 emerging career artists.
Grants awarded to Lileana Blain-Cruz, Onyedika Chuke, Mark DeChiazza, Marjani Forte, Jennifer Kidwell, Aurora Nealand, Maya Phillips, Aaron Robertson, Katy Pyle, and Paula Wilson are intended to support artists during the economic challenges posed by the COVID-19 pandemic
Digital catalog created for Scott Anderson’s exhibition “Biotech.” Essay by Sarah Diver.
The features of Dallas’s digital infrastructure received high marks from other dealers. Rob Dimin of New York’s Denny Dimin Gallery commended the organizers for doing “a really fantastic job in creating the virtual fair space… with enough room for extra content to contextualize the artists.”
