Difference Machines: Technology and Identity in Contemporary Art is co-curated by University at Buffalo Professor Paul Vanouse and Buffalo AKG Art Museum Curator Tina Rivers Ryan, who bring to the project over thirty years of experience working with media art, as well as their own personal experience of how technology can both help and harm marginalized communities.
Denny Gallery recently opened ‘Sunny’, a solo exhibition of new work by painter Judy Ledgerwood. On view at the gallery’s New York location since January 7, it will continue to February 11, 2023.
L.A.-based Iranian American artist Amir H. Fallah (b. 1979) will be using an image of a woman’s face inside of a sun–a visual once seen on the Iranian flag–as the centerpiece of an art project he intends to keep the ongoing humanitarian crisis there in the consciousness of Americans.
Artist Amir H. Fallah (b. 1979) will be using an image of a woman’s face inside of a sun–a visual once seen on the Iranian flag–as the centerpiece of an art project he intends to keep the ongoing humanitarian crisis there in the consciousness of Americans.
Amir H. Fallah investigates persistent questions of identity, intimacy, biography, knowledge, duty of care, diaspora, and legacy.
Sheida Soleimani’s Mahsa (2022) is part of the artist’s “Levers of Power” series, which has documented tensions in and between Iran and the U.S. through the body language and gesture since the Trump administration’s March 2020 assassination of Iranian military commander Qasem Soleimani.
At the Franklin D. Roosevelt Four Freedoms State Park, across from the United Nations, an exhibition has an undeniable mood of urgency.
The New York installation was unveiled at an event featuring former U.S. Secretary of State Hillary Rodham Clinton, Human Rights Lawyer and Director of the Strategic Litigation Project at the Atlantic Council Gissou Nia, artists Sheida Soleimani and Shirin Neshat, actor and singer Sepideh Moafi and more at FDR Four Freedoms State Park with a performance by Grammy award-winner Jon Batiste.
“Medium of Exchange” by Sheida Soleimani is an urgent publication that exposes the oil industry’s entanglement in global networks of violence, corruption, and abuse.
Join Ann Shelton and Victoria Munro, the Executive Director of the Alice Austen House, as they discuss Shelton’s current show at Denny Dimin Gallery and Shelton’s upcoming exhibition at the Alice Austen House in 2024.
“The Travelers” is a large-scale work by Justine Hill, commissioned by the Cantor Art Gallery at the College of Holy Cross where Hill received her BA.
Turning to the Light: Paula Wilson Interviewed by Heidi Howard, Works that blend ecology and eroticism.
“Imago” is an exhibition of new work by multimedia artist Paula Wilson. With the scope of her wide ranging practice incorporating themes of identity, image making and the natural world, Paula Wilson is an artist who has become sought after for institutional exhibitions and inclusion in important public and private collections.
Nicola López and Paula Wilson’s “Becoming Land” reveals each artists’ interpretation of New Mexico.
Amir H. Fallah is a Los Angeles-based artist working in a range of media, including painting, sculpture and public installation.
Tina Knowles Lawson Builds a Collection and a Foundation to Support Black Art
Paula Wilson works in expansive ways with collage, large-scale woodcut, video, and painting and lives and works in the remote high desert town of Carrizozo, NM.
Review the article and experience with an exhibit showcasing games using technology to tell stories, and expand upon ideas, concepts and spaces that the makers experienced.
Michael Mandiberg’s new media work makes a kind of Allan Sekula-like move to position art and its practices within a social and technological history attached to labor relations.
Want to see new art in New York this weekend? Start on the Upper East Side to Jeremy Couillard on EFA Project Space.
IV Chan’s artistic interests are rooted in the complexity of the human body and the mind.
Full Tanit was acquired from The Landing Gallery, LA and Denny Dimin Gallery, New York and is now part of the Permanent Collection of the US Embassy, Guatemala City; Art in Embassies, US Department of State.
The performance continues IV Chan’s ideas on the formation of identity in childhood, with the focus on the complex relationship arc between the child and its immediate surroundings including its objects, environment, and mother figure.
In less than five enthralling minutes, Wilson crystallizes her show’s many themes, underscoring that her everyday artistic existence is inextricable from the rhythms of the natural world.
