March 02, 2020 Artists, Outside Exhibitions, Press

Artnet News Mentions

Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week

From the Armory Party at MoMA to the New York International Antiquarian Book Fair, there’s something for everyone this week.
Each week, we search New York City for the most exciting and thought-provoking shows, screenings, and events. See them below.

Read on artnet news.

March 02, 2020 Art Fairs, Artists, Press

Amir H. Fallah in ARTnews

Read on ARTnews.

February 29, 2020 Events

New York Gallery Open 2020

On March 6th, NADA Gallery Member, Robert Dimin leads a guided gallery tour with stops at Denny Dimin Gallery, Canada, GOLESTANI, Baxter St. at CCNY, Martos Gallery, and Helena Anrather.


February 28, 2020 Art Fairs, Press

Denny Dimin in ARTnews

Armory Week 2020: Here’s Your Cheat Sheet to the Fairs

BY CLAIRE SELVIN
With the ADAA Art Show having already opened and many more fairs to follow, it’s time once again for Armory Week in New York. Below is a guide to nine art fairs to take in over the days to come, at scales both big and small. Note that the listings focus on public opening dates and times (excluding certain advance previews and VIP events).

Read on ARTnews.

February 27, 2020 Artists, Press

Andy Woll in Two Coats of Paint

White, Woll, and the artist’s sense of control

Riad Miah
Taylor Anton White and Andy Woll’s solo exhibitions opened at two galleries next door to each other in Tribeca, White’s at Monica King Contemporary and Woll’s at Denny Dimin Gallery. Their bodies of work are outwardly different, but they are both visually as well as substantively compelling and have enough common ground to merit a comparative look.


February 26, 2020 Art Fairs, Artists, Press

Amir H. Fallah in Apollo Magazine

The Armory Show and beyond – around the galleries in New York

Samuel Reilly
The Armory Show (5–8 March) returns to Manhattan this year with an enhanced curatorial presence, continuing the innovations that director Nicole Berry began to introduce on taking over at the fair in 2017. The fair’s main section at Pier 94 sees the usual jostling of blue-chips with lesser-known galleries – but for the first time, the entirety of Pier 90 is given over to curated presentations.

February 23, 2020 Artists, Press

Michael Mandiberg for The Atlantic

Mapping Wikipedia


February 21, 2020 Artists, Press

Justine Hill Interviewed by Lisa Kellner

Five Questions for Artist Justine Hill

“Hill exhibits an easy-seeming confidence, both in her exuberant facture and in her engagement with art history. Her work evokes that of Pierre Bonnard, Elizabeth Murray, Frank Stella, Pablo Picasso, Brice Marden, and various other predecessors, but manages to be wholly its own thing.”
— Elizabeth Buhe, Art in America


February 20, 2020 Artists, Press

Amir H. Fallah in Hyperallergic

Your Concise Southwest US Art Guide for Spring 2020

Your list of must-see, fun, insightful art events this season in the Southwest United States.
Spring has sprung (or has started to) in northern New Mexico (where our Southwest US editor Ellie Duke lives), and that means it’s time to come out of hibernation to explore the artistic offerings of the season.


February 14, 2020 Artists, Outside Exhibitions, Press Releases

Amanda Valdez at the Heckscher Museum of Art

Featuring more than 20 works, including several that are among the artist’s largest and most recent, Amanda Valdez: Piecework explores artist’s engagement with abstraction and “women’s work” with fiber. She conjures surprising compositions through thoughtful use of different materials and techniques.


February 13, 2020 Events, Outside Exhibitions

Jeremy Couillard: JEF at Times Square Space

Presented by Daata & TSS
February 29 – March 15, 2020

JEF is a cosmology, inspired by world building techniques in sci-fi literature, fully automated luxury space communism fantasies and human/computer interaction. The project takes on many forms from animation and simulation to video games and stand-alone video objects from Infinite Objects. This project brings together for the first time various elements that have featured with Daata at Phillips New York, Joyous Dystopia at The Bass Museum Miami and New World Symphony and on Infinite Objects.


February 12, 2020 Artists

LACMA Acquires Works by Michael Mandiberg

Denny Dimin Gallery is pleased to announce the Los Angeles County Museum of Art (LACMA)’s recent acquisition of two works by Michael Mandiberg. LACMA acquired both works following the artist’s exhibition, Workflow, at the museum.


February 10, 2020 Press

Elizabeth Denny in Mabuhay

State of the Art

With a wave of high-profile art galleries relocating to its chic and spacious lofts, Manhattan’s Tribeca neighborhood is quickly regaining its status as New York City’s art gallery hub. Hand in hand with this urban renewal are female dealers representing a slew of women artists and artists of color.

Read on Mabuhay.

February 05, 2020 Artists, Press

Justine Hill in the Fordham Observer

Patterns Converge at Butler Gallery’s ‘Fanfare’

On Jan. 23, the daily Fordham landscape went through a rather eye-catching and colorful change. Positioned across from the escalators that lead to the indoor plaza, Ildiko Butler Gallery now proudly hosts “Fanfare,” a group exhibition curated by Amie Cunat, which will go on through March 13. “Fanfare” focuses on patterns and their relation to art as a means of content manifestation and self-expression.


January 24, 2020 Press

Katie Alice Fitz Gerald in the South China Morning Post

Are intense emotions fueling a great period of art-making in Hong Kong?

To much of the international art world, Hong Kong is not where art is made but where it is traded. We can shout all we like that this simply isn’t true, but the fact remains the international jet-setters who come here for Art Basel don’t usually bother visiting galleries representing local artists.
However, this may be changing, a gallerist from New York remarked at a recent exhibition of works by 36 local artists at the Hong Kong Visual Arts Centre, in Mid-Levels.

January 23, 2020 Press

Robert Dimin in Artsy

7 Art Dealers Reveal How Gallery Waiting Lists Really Work

Sold-out gallery exhibitions make news, which can lead art collectors and enthusiasts to believe the phenomenon is a frequent occurrence. We hear about Loie Hollowell selling out at Pace, Carol Bove at David Zwirner, Brice Marden at Gagosian, Ebecho Muslimova at Magenta Plains, and Avery Singer at Kraupa-Tuskany Zeidler.
What happens, in such circumstances, when more collectors want the work? What if demand for an artist’s work exceeds supply? Often, rumors circulate about massive waiting lists drawn up by galleries, organized according to mysterious priorities, and kept hidden from public view.
But according to many dealers, that’s hardly standard industry practice. Below, seven gallerists share their experiences with waiting lists and the delicate art of handling collector demand while protecting their artists’ interests.

Read on Artsy.

January 19, 2020 Artists, Press

Clarity Haynes in The New Yorker

The eyes may be the windows to the soul, but torsos are even more telling in this mid-career New York artist’s new group of intimate, numinous paintings. In this show, titled “Altar-ed Bodies,” Haynes explores the possibilities of feminist figuration in cropped compositions whose subjects are frankly depicted, in frontal poses, with their scars, stretch marks, and sagging flesh.


January 17, 2020 Artists, Press

Clarity Haynes in Hyperallergic

An Artist’s Altars to Unsung Women

Rendered in a rainbow of vibrant colors, Clarity Haynes’s portrayals of queer, heavy, and disabled bodies reimagines the white box as a communal space that allows for the possibility of healing.


January 15, 2020 Artists, Press

Clarity Haynes in The New York Times

What to See Right Now in New York Art Galleries

Nicky Nodjoumi’s dreamy serial paintings; Albert Oehlen’s “mirror paintings”; Clarity Haynes portraits of breasts; Kim Tschang-Yeul’s abstract brand of Pop Art.


January 08, 2020 Artists, Press

Clarity Haynes Interviewed in Metal Magazine

As a lesbian woman, artist Clarity Haynes is aware that her “contributions to culture are likely to be erased as I am doubly marginalized”. However, her paintings of torsos and altars, which play a cathartic role both on her, the people who model for her, and the audience, will go down in history. With the aim to promote peace, empower the marginalized and fight the patriarchy, her beautifully honest, raw and truthful artworks serve ulterior purposes of healing, self-acceptance and love. Currently exhibiting at New York City’s Denny Dimin gallery, we sit down with the artist to talk about gender identity, sexuality, censorship, beauty and the healing properties of art.


January 06, 2020 Artists, Press

Clarity Haynes in artnet news

Editors Picks: 17 Things Not to Miss in New York’s Art World This Week

The art world returns from winter break.
Each week, we search New York City for the most exciting and thought-provoking shows, screenings, and events. See them below.

Read on artnet news.

December 12, 2019 Press

Ann Shelton in Art Collector

A new exhibition by one of New Zealand’s most lauded lens-based practitioners Ann Shelton explores female experiences of representation, control, fertility and trauma.

Read more on Art Collector.


November 19, 2019 Artists, Press

Dana Sherwood in Air Mail

Dana Sherwood: Horses for Trees

The philosopher Ludwig Wittgenstein wrote, “If a lion could speak, we would not be able to understand him.” Dana Sherwood puts this observation to work in her fantastical art, which gives a voice to the world’s non-human inhabitants. In a time when man has an overarching influence on the environment, Sherwood’s work reminds us that we forget the intricacies of other living creatures. A new exhibition of Sherwood’s work is inspired by the multimedia artist’s time in Mongolia. —J.V.

Read on Air Mail.

November 18, 2019 Artists, Press

Paula Wilson in Artspace

Curator Carmen Hermo Shares Her Favorite Works from UNTITLED, ART Miami Beach

Associate Curator at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, Carmen Hermo spends her time curating historically significant exhibitions—like “Roots of The Dinner Party: History in the Making” (2017), “Marilyn Minter: Pretty/Dirty” (2016–17), and the Brooklyn presentation of “Radical Women: Latin American Art,” 1960–1985 (2018), just to name a few. Before joining the Brooklyn Museum, Hermo worked with the collections at the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Modern Art.

Read on Artspace.

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