Category: Amir Fallah

May 17, 2022 Artists, Events, Press

‘Buying art is like meeting a new friend’: advisor Elizabeth Von Habsburg on her very personal approach to collecting

The managing director of the art appraisal and advisory firm the Winston Art Group discusses her latest buys and the best collecting advice she’s received Daniel Cassady 17 May 2022   Von Habsburg with a recent purchase: Stephen Thorpe’s A Mediation Between the Physical and Spiritual World (2022) Courtesy of Elizabeth Von Habsburg   One could be forgiven for thinking that being Austrian royalty is the most interesting thing about a person. But that is not the case with Elizabeth von Habsburg….Read More


March 23, 2022 Artists, Events, Press

Amir H. Fallah in The book “Why I Make Art”

  Introducing a fascinating compilation of interviews with artists from the archives of Sound & Vision, a podcast directed by American artist and educator Brian Alfred. Why I Make Art: Contemporary Artists’ Stories About Life and Work presents conversations recorded between 2016 and 2020—four tumultuous years in America and around the world. Why I Make Art offers readers an intimate, contemplative view from thirty remarkable creators with compelling stories, entertaining and thoughtful anecdotes, examining themes as varied as music and…Read More


August 03, 2021 Press

Fringe reviewed in The New Yorker

In the early nineteen-seventies, a group of American artists who shared an unironic love of craft, vivid color, and kitsch—rebels against the ornamentation-averse restraint of the Minimalists—became known as the Pattern and Decoration movement (a.k.a. P&D). By the mid-eighties, the initial enthusiasm, mostly in Europe, for the group’s paintings, sculptures, ceramics, and textiles had waned. Individual artists succeeded, but P&D was written off as a footnote that was slightly embarrassing. (And also threatening: it’s no coincidence that the group’s focus…Read More


July 16, 2021 Press

Fringe featured in DART: “Pattern & Decoration: Now from Then”

Ruling families of the Renaissance, such as the Medici, exerted their influence through political intrigue, war and art, as can be seen in The Met’s presentation of The Medici: Portraits & Politics 1512-1570. American high culture, a construct of large institutions, mostly white, endowed by the wealth of corporate donors, also mostly white, is undergoing a radical shift, as consumers are beginning to exert their power to press for better representation of the publics that make up that body of consumers. Above:…Read More

Read on DART.

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